Motifx Designers

我的系列主題取自於「生命周期」為靈感,選擇了「草/花/果/松」四個字詞。在構思的時候,我以三片菱形為組合象征著植物當中的葉片,以一到四的數量分別融合在四個圖案裡面,代表著他們的貫聯性。草的萌芽、花的綻放、果熟蒂落、樹的常青,都象徵著植物在自然環境中的一個生命循環。而在圖案中也加入了鱗片形狀的紋路,草本植物本是柔軟的,但他們也擁有着無形的堅硬的部分,比如說堅韌的生命力,使得它們得以長存。

我的系列主題取自於「生命周期」為靈感,選擇了「草/花/果/松」四個字詞。在構思的時候,我以三片菱形為組合象征著植物當中的葉片,以一到四的數量分別融合在四個圖案裡面,代表著他們的貫聯性。草的萌芽、花的綻放、果熟蒂落、樹的常青,都象徵著植物在自然環境中的一個生命循環。而在圖案中也加入了鱗片形狀的紋路,草本植物本是柔軟的,但他們也擁有着無形的堅硬的部分,比如說堅韌的生命力,使得它們得以長存。

我的系列主題取自於「生命周期」為靈感,選擇了「草/花/果/松」四個字詞。在構思的時候,我以三片菱形為組合象征著植物當中的葉片,以一到四的數量分別融合在四個圖案裡面,代表著他們的貫聯性。草的萌芽、花的綻放、果熟蒂落、樹的常青,都象徵著植物在自然環境中的一個生命循環。而在圖案中也加入了鱗片形狀的紋路,草本植物本是柔軟的,但他們也擁有着無形的堅硬的部分,比如說堅韌的生命力,使得它們得以長存。

我的系列主題取自於「生命周期」為靈感,選擇了「草/花/果/松」四個字詞。在構思的時候,我以三片菱形為組合象征著植物當中的葉片,以一到四的數量分別融合在四個圖案裡面,代表著他們的貫聯性。草的萌芽、花的綻放、果熟蒂落、樹的常青,都象徵著植物在自然環境中的一個生命循環。而在圖案中也加入了鱗片形狀的紋路,草本植物本是柔軟的,但他們也擁有着無形的堅硬的部分,比如說堅韌的生命力,使得它們得以長存。

I chose four characters with the grass radical (艹) representing flowers: 菊 (chrysanthemum), 蓮 (lotus), 芙 (hibiscus), and 茉 (jasmine). To maintain a consistent series, I used an ancient window motif as the border. The background inside the border also features the same flower as the character, employing a visual repetition technique to fill the space. These flowers are rendered as polygonal and symmetrical shapes, giving a dignified and orderly aesthetic.

To highlight the uniqueness of each character, I added distinctive internal elements:

• 菊 (chrysanthemum): Reflecting the flower's gentle nature, the pattern depicts a large chrysanthemum surrounded by clouds, conveying a sense of slowness and tranquility.
• 蓮 (lotus): This design evokes images of lotus ponds under the moon, drawing on classical poetic imagery. A large lotus flower echoes the form of the moon within the composition.
• 芙 (hibiscus): While "芙" historically refers to the lotus or water lily, I combined the modern hibiscus with water elements to symbolize a lotus emerging from water—a bridge between ancient and contemporary interpretations.
• 茉 (jasmine): Inspired by the famous song Jasmine Flower, with lyrics like "Fragrant and beautiful branches, white and fragrant, praised by everyone," I integrated elements of fragrance into the design to convey the flower’s distinctive scent.

Finally, the large floral motif in each pattern corresponds with the smaller flowers in the background, ensuring that every detail is interconnected and meaningful.

I chose four characters with the grass radical (艹) representing flowers: 菊 (chrysanthemum), 蓮 (lotus), 芙 (hibiscus), and 茉 (jasmine). To maintain a consistent series, I used an ancient window motif as the border. The background inside the border also features the same flower as the character, employing a visual repetition technique to fill the space. These flowers are rendered as polygonal and symmetrical shapes, giving a dignified and orderly aesthetic.

To highlight the uniqueness of each character, I added distinctive internal elements:

• 菊 (chrysanthemum): Reflecting the flower's gentle nature, the pattern depicts a large chrysanthemum surrounded by clouds, conveying a sense of slowness and tranquility.
• 蓮 (lotus): This design evokes images of lotus ponds under the moon, drawing on classical poetic imagery. A large lotus flower echoes the form of the moon within the composition.
• 芙 (hibiscus): While "芙" historically refers to the lotus or water lily, I combined the modern hibiscus with water elements to symbolize a lotus emerging from water—a bridge between ancient and contemporary interpretations.
• 茉 (jasmine): Inspired by the famous song Jasmine Flower, with lyrics like "Fragrant and beautiful branches, white and fragrant, praised by everyone," I integrated elements of fragrance into the design to convey the flower’s distinctive scent.

Finally, the large floral motif in each pattern corresponds with the smaller flowers in the background, ensuring that every detail is interconnected and meaningful.

I chose four characters with the grass radical (艹) representing flowers: 菊 (chrysanthemum), 蓮 (lotus), 芙 (hibiscus), and 茉 (jasmine). To maintain a consistent series, I used an ancient window motif as the border. The background inside the border also features the same flower as the character, employing a visual repetition technique to fill the space. These flowers are rendered as polygonal and symmetrical shapes, giving a dignified and orderly aesthetic.

To highlight the uniqueness of each character, I added distinctive internal elements:

• 菊 (chrysanthemum): Reflecting the flower's gentle nature, the pattern depicts a large chrysanthemum surrounded by clouds, conveying a sense of slowness and tranquility.
• 蓮 (lotus): This design evokes images of lotus ponds under the moon, drawing on classical poetic imagery. A large lotus flower echoes the form of the moon within the composition.
• 芙 (hibiscus): While "芙" historically refers to the lotus or water lily, I combined the modern hibiscus with water elements to symbolize a lotus emerging from water—a bridge between ancient and contemporary interpretations.
• 茉 (jasmine): Inspired by the famous song Jasmine Flower, with lyrics like "Fragrant and beautiful branches, white and fragrant, praised by everyone," I integrated elements of fragrance into the design to convey the flower’s distinctive scent.

Finally, the large floral motif in each pattern corresponds with the smaller flowers in the background, ensuring that every detail is interconnected and meaningful.

I chose four characters with the grass radical (艹) representing flowers: 菊 (chrysanthemum), 蓮 (lotus), 芙 (hibiscus), and 茉 (jasmine). To maintain a consistent series, I used an ancient window motif as the border. The background inside the border also features the same flower as the character, employing a visual repetition technique to fill the space. These flowers are rendered as polygonal and symmetrical shapes, giving a dignified and orderly aesthetic.

To highlight the uniqueness of each character, I added distinctive internal elements:

• 菊 (chrysanthemum): Reflecting the flower's gentle nature, the pattern depicts a large chrysanthemum surrounded by clouds, conveying a sense of slowness and tranquility.
• 蓮 (lotus): This design evokes images of lotus ponds under the moon, drawing on classical poetic imagery. A large lotus flower echoes the form of the moon within the composition.
• 芙 (hibiscus): While "芙" historically refers to the lotus or water lily, I combined the modern hibiscus with water elements to symbolize a lotus emerging from water—a bridge between ancient and contemporary interpretations.
• 茉 (jasmine): Inspired by the famous song Jasmine Flower, with lyrics like "Fragrant and beautiful branches, white and fragrant, praised by everyone," I integrated elements of fragrance into the design to convey the flower’s distinctive scent.

Finally, the large floral motif in each pattern corresponds with the smaller flowers in the background, ensuring that every detail is interconnected and meaningful.

I chose four characters with the grass radical (艹) representing flowers: 菊 (chrysanthemum), 蓮 (lotus), 芙 (hibiscus), and 茉 (jasmine). To maintain a consistent series, I used an ancient window motif as the border. The background inside the border also features the same flower as the character, employing a visual repetition technique to fill the space. These flowers are rendered as polygonal and symmetrical shapes, giving a dignified and orderly aesthetic.

To highlight the uniqueness of each character, I added distinctive internal elements:

• 菊 (chrysanthemum): Reflecting the flower's gentle nature, the pattern depicts a large chrysanthemum surrounded by clouds, conveying a sense of slowness and tranquility.
• 蓮 (lotus): This design evokes images of lotus ponds under the moon, drawing on classical poetic imagery. A large lotus flower echoes the form of the moon within the composition.
• 芙 (hibiscus): While "芙" historically refers to the lotus or water lily, I combined the modern hibiscus with water elements to symbolize a lotus emerging from water—a bridge between ancient and contemporary interpretations.
• 茉 (jasmine): Inspired by the famous song Jasmine Flower, with lyrics like "Fragrant and beautiful branches, white and fragrant, praised by everyone," I integrated elements of fragrance into the design to convey the flower’s distinctive scent.

Finally, the large floral motif in each pattern corresponds with the smaller flowers in the background, ensuring that every detail is interconnected and meaningful.

I chose four characters with the grass radical (艹) representing flowers: 菊 (chrysanthemum), 蓮 (lotus), 芙 (hibiscus), and 茉 (jasmine). To maintain a consistent series, I used an ancient window motif as the border. The background inside the border also features the same flower as the character, employing a visual repetition technique to fill the space. These flowers are rendered as polygonal and symmetrical shapes, giving a dignified and orderly aesthetic.

To highlight the uniqueness of each character, I added distinctive internal elements:

• 菊 (chrysanthemum): Reflecting the flower's gentle nature, the pattern depicts a large chrysanthemum surrounded by clouds, conveying a sense of slowness and tranquility.
• 蓮 (lotus): This design evokes images of lotus ponds under the moon, drawing on classical poetic imagery. A large lotus flower echoes the form of the moon within the composition.
• 芙 (hibiscus): While "芙" historically refers to the lotus or water lily, I combined the modern hibiscus with water elements to symbolize a lotus emerging from water—a bridge between ancient and contemporary interpretations.
• 茉 (jasmine): Inspired by the famous song Jasmine Flower, with lyrics like "Fragrant and beautiful branches, white and fragrant, praised by everyone," I integrated elements of fragrance into the design to convey the flower’s distinctive scent.

Finally, the large floral motif in each pattern corresponds with the smaller flowers in the background, ensuring that every detail is interconnected and meaningful.