This series of works takes religious philosophy and cosmic order as its core and constructs a four-fold symbolic system.
The first adoption means that our wisdom, under the religious belief, has been passed down as the crystallization of civilization for thousands of years. Nature and man are one, plants (environment) and humans are closely related, so the first painting implies that the world, humans and religion are inseparable. Performing the "unity of man and nature".
Second, using the sunset as the visual center of the painting reminds people of the good things in the past, as well as their longing and hope for the future. The flowers around represent summer. Looking at the vibrant and dazzling radiant, lifelike flowers, they float towards people's bright future.
Third, construct a metaphysical model of desire: the iris of the human eye is transformed into the topological structure of the crystal orchid, and the Mandelbrot fractal of the red spider lily proliferates infinitely against the background of dark matter, constructing an abstract image design, like a vortex of desire, constantly watching humans, as terrifying as the abyss.
Finally, the geometric group of the Flower of Life unfolds on the Riemann surface, the Ouroboros Peierls matrix is embedded in the zodiacal moon phases, and the flowers of the four seasons rotate according to the Fibonacci time sequence. The passage of time and infinite space. There are four geometric circles around it, referring to the flower of life, which enhance the overall coordination and balance of the picture and make people feel calm.
