The Heart Sutra is a printed classic within the Mahāyāna Buddhist tradition. In Sanskrit, it is known as Prajñāpāramitāhṛdaya.
A notable line from the Sutra states: 'Form is emptiness, emptiness is form'.
As a form of our creative expression, we seek to infuse our work with spirituality, inspiring our customers to adopt a more discerning approach to fashion consumption.
I seek to rearrange ancient Chinese artefacts and mythical creatures with new colours and the imagination of contemporary art to create a unique visual experience, allowing the audience to reacquaint themselves with and appreciate these cultural legacies.
My aim is to engage the audience through different visual elements and emotional resonances, encouraging them to rediscover and appreciate the charm and wisdom of these ancient stories. Naturally, incorporating elements of Hong Kong is essential.
Badu Hemp Embroidery is an ancient folk craft that originated during the Three Kingdoms period (220-280 AD), primarily found in the Badu area of Zhejiang Province. Applied to the woven hemp cloth of commoners, the embroidered designs feature continuous lines symbolising "uninterrupted continuity."
In 2007, this embroidery was listed as an intangible cultural heritage in Zhejiang Province, and in 2011, it was recognised as an endangered craft in Hangzhou. The Textile Library has decided to reinterpret this traditional craft, creating a series of products incorporating the Mahjong-inspired theme.
Pattern 1 features Mahjong tiles stacked like shards of porcelain.
Pattern 2 plays with the graphics on Mahjong tiles, presented in Badu iconic cross stitches, portraying a sense of modernity.
Badu Hemp Embroidery is an ancient folk craft that originated during the Three Kingdoms period (220-280 AD), primarily found in the Badu area of Zhejiang Province. Applied to the woven hemp cloth of commoners, the embroidered designs feature continuous lines symbolising "uninterrupted continuity."
In 2007, this embroidery was listed as an intangible cultural heritage in Zhejiang Province, and in 2011, it was recognised as an endangered craft in Hangzhou. The Textile Library has decided to reinterpret this traditional craft, creating a series of products incorporating the Mahjong-inspired theme.
Pattern 1 features Mahjong tiles stacked like shards of porcelain.
Pattern 2 plays with the graphics on Mahjong tiles, presented in Badu iconic cross stitches, portraying a sense of modernity.
Badu Hemp Embroidery is an ancient folk craft that originated during the Three Kingdoms period (220-280 AD), primarily found in the Badu area of Zhejiang Province. Applied to the woven hemp cloth of commoners, the embroidered designs feature continuous lines symbolising "uninterrupted continuity."
In 2007, this embroidery was listed as an intangible cultural heritage in Zhejiang Province, and in 2011, it was recognised as an endangered craft in Hangzhou. The Textile Library has decided to reinterpret this traditional craft, creating a series of products incorporating the Mahjong-inspired theme.
Pattern 1 features Mahjong tiles stacked like shards of porcelain..
Pattern 2 plays with the graphics on Mahjong tiles, presented in Badu iconic cross stitches, portraying a sense of modernity.
Kowloon, a densely populated area in the heart of Hong Kong, is a transliteration of two Chinese characters meaning ‘nine dragons’. Our dragon motif is an interpretation of the hustle and bustle of Hong Kong.
I seek to rearrange ancient Chinese artefacts and mythical creatures with new colours and the imagination of contemporary art to create a unique visual experience, allowing the audience to reacquaint themselves with and appreciate these cultural legacies.
My aim is to engage the audience through different visual elements and emotional resonances, encouraging them to rediscover and appreciate the charm and wisdom of these ancient stories. Naturally, incorporating elements of Hong Kong is essential.
Badu Hemp Embroidery is an ancient folk craft that originated during the Three Kingdoms period (220-280 AD), primarily found in the Badu area of Zhejiang Province. Applied to the woven hemp cloth of commoners, the embroidered designs feature continuous lines symbolising "uninterrupted continuity."
In 2007, this embroidery was listed as an intangible cultural heritage in Zhejiang Province, and in 2011, it was recognised as an endangered craft in Hangzhou. The Textile Library has decided to reinterpret this traditional craft, creating a series of products incorporating the Mahjong-inspired theme.
Pattern 1 features Mahjong tiles stacked like shards of porcelain.
Pattern 2 plays with the graphics on Mahjong tiles, presented in Badu iconic cross stitches, portraying a sense of modernity.
Celebrate the timeless elegance of SHANGHAI TANG and its spirit of joie de vivre with this Double Happiness pattern. This design combines the traditional Chinese character Xi, bestowing the wish for abundant joy, with architectural motifs from the Forbidden City. Geometric forms artfully filled with landscape details, are surrounded by alternating borders of art deco patterns and auspicious waves.
This maximalist print playfully embodies the joie de vivre of SHANGHAI TANG with a touch of contemporary chinoiserie. Look for the 12 Chinese Zodiac animals camouflaged amidst swirling blooms of floral and paisley.